Carlos Martiel: Linea de Tiempo

University of Maryland Art Gallery Thursday, September 12, 2019 - November 22, 2019 University of Maryland Art Gallery

Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free

Event Dates

Thursday, September 12, 2019 - November 22, 2019

Thursday, Sep 12, 2019 11:00 am

09/12/19 11:00:00 09/12/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Sep 13, 2019 11:00 am

09/13/19 11:00:00 09/13/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Sep 16, 2019 11:00 am

09/16/19 11:00:00 09/16/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Sep 17, 2019 11:00 am

09/17/19 11:00:00 09/17/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Sep 18, 2019 11:00 am

09/18/19 11:00:00 09/18/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Sep 19, 2019 11:00 am

09/19/19 11:00:00 09/19/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Sep 20, 2019 11:00 am

09/20/19 11:00:00 09/20/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Sep 23, 2019 11:00 am

09/23/19 11:00:00 09/23/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Sep 24, 2019 11:00 am

09/24/19 11:00:00 09/24/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Sep 25, 2019 11:00 am

09/25/19 11:00:00 09/25/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Sep 26, 2019 11:00 am

09/26/19 11:00:00 09/26/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Sep 27, 2019 11:00 am

09/27/19 11:00:00 09/27/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Sep 30, 2019 11:00 am

09/30/19 11:00:00 09/30/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Oct 01, 2019 11:00 am

10/01/19 11:00:00 10/01/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Oct 02, 2019 11:00 am

10/02/19 11:00:00 10/02/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Oct 03, 2019 11:00 am

10/03/19 11:00:00 10/03/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Oct 04, 2019 11:00 am

10/04/19 11:00:00 10/04/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Oct 07, 2019 11:00 am

10/07/19 11:00:00 10/07/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Oct 08, 2019 11:00 am

10/08/19 11:00:00 10/08/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Oct 09, 2019 11:00 am

10/09/19 11:00:00 10/09/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Oct 10, 2019 11:00 am

10/10/19 11:00:00 10/10/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Oct 11, 2019 11:00 am

10/11/19 11:00:00 10/11/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Oct 14, 2019 11:00 am

10/14/19 11:00:00 10/14/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Oct 15, 2019 11:00 am

10/15/19 11:00:00 10/15/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Oct 16, 2019 11:00 am

10/16/19 11:00:00 10/16/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Oct 17, 2019 11:00 am

10/17/19 11:00:00 10/17/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Oct 18, 2019 11:00 am

10/18/19 11:00:00 10/18/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Oct 21, 2019 11:00 am

10/21/19 11:00:00 10/21/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Oct 22, 2019 11:00 am

10/22/19 11:00:00 10/22/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Oct 23, 2019 11:00 am

10/23/19 11:00:00 10/23/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Oct 24, 2019 11:00 am

10/24/19 11:00:00 10/24/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Oct 25, 2019 11:00 am

10/25/19 11:00:00 10/25/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Oct 28, 2019 11:00 am

10/28/19 11:00:00 10/28/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Oct 29, 2019 11:00 am

10/29/19 11:00:00 10/29/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Oct 30, 2019 11:00 am

10/30/19 11:00:00 10/30/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Oct 31, 2019 11:00 am

10/31/19 11:00:00 10/31/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Nov 01, 2019 11:00 am

11/01/19 11:00:00 11/01/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Nov 04, 2019 11:00 am

11/04/19 11:00:00 11/04/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Nov 05, 2019 11:00 am

11/05/19 11:00:00 11/05/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Nov 06, 2019 11:00 am

11/06/19 11:00:00 11/06/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Nov 07, 2019 11:00 am

11/07/19 11:00:00 11/07/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Nov 08, 2019 11:00 am

11/08/19 11:00:00 11/08/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Nov 11, 2019 11:00 am

11/11/19 11:00:00 11/11/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Nov 12, 2019 11:00 am

11/12/19 11:00:00 11/12/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Nov 13, 2019 11:00 am

11/13/19 11:00:00 11/13/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Nov 14, 2019 11:00 am

11/14/19 11:00:00 11/14/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Nov 15, 2019 11:00 am

11/15/19 11:00:00 11/15/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Monday, Nov 18, 2019 11:00 am

11/18/19 11:00:00 11/18/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Tuesday, Nov 19, 2019 11:00 am

11/19/19 11:00:00 11/19/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Wednesday, Nov 20, 2019 11:00 am

11/20/19 11:00:00 11/20/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Thursday, Nov 21, 2019 11:00 am

11/21/19 11:00:00 11/21/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false
Friday, Nov 22, 2019 11:00 am

11/22/19 11:00:00 11/22/19 16:00:00 America/New_York Carlos Martiel: Linea de Tiempo Cuban-born, Brooklyn-based artist Carlos Martiel (b. 1989) concludes his year-long, Visitng Artist Lecture-Project (VAL-P) residency at the University of Maryland Art Gallery with a survey of his work from the past ten years titled Carlos Martiel: Línea de Tiempo (Timeline). It also includes a newly commissioned performance by the Gallery titled Muerte al Olvido (Death to Oblivion). Known primarily for the use of his nude body as a primary substrate and focal point, Martiel's work casts a light on to historical tensions, social barriers, and cultural traditions that is often used to define marginalized or underrepresented peoples around the world. This exhibtion -- on view in the Herman Maril Teaching and Research Gallery -- also draws from the riches of the UMD Art Gallery's permanent collection, educating students on how to incorporate museum objects into new forms of expression and genres. Carlos Martiel: Línea de Tiempo is curated by Patricia Ortega-Miranda, Department of Art History & Archaeology doctoral student and Curatorial Assistant, and Taras W. Matla, Associate Director of the University of Maryland Art Gallery. This exhibition and the performance of Muerte al Olvido is made possible, in part, by a generous grant from the Maryland State Arts Council. Additional support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Funding for the forthcoming exhibition catalogue is provided, in part, by the Armand-Paul Family Collection. The performance, exhibition preview, and reception will be held on Wednesday, September 11, 2019, from 5-7 pm. On view: September 12-November 22, 2019Location: University of Maryland Art GalleryAdmission: Free University of Maryland Art Gallery false